(2 June 1849 --4 December 1934) was a French painter and printmaker. He was born in Paris and studied at the École des Beaux-Arts, studied with Jean Bremond and was influenced by Alexandre Cabanel. He won the Prix de Rome in 1874 with the painting Death of Timophanes Until about 1880 he followed the academic tradition, but then broke away completely, and devoted himself to the study of colour and light as conceived by the Impressionists. The realism of this group never appealed to his bold imagination, but he applied their technical method to ideological and decorative works on a large scale, such as his frescoes at the Sorbonne, the Ecole de Pharmacie, the ceiling of the Comedie-Française (main theatre in Paris), the Salle des Sciences at the Hôtel de Ville, the mairie of the Ier arrondissement, and the chapel of Berck hospital, for which he painted twelve Stations of the Cross in an entirely modern spirit. A great virtuoso, he achieved brilliant successes alike in watercolour, pastel, oil and etching, both in portraiture, in landscape and in decoration. His close analysis of light can be studied in his picture La femme qui se chauffe at the Luxembourg in Paris, one of a large group of nude studies of which a later example is Une Nymphe au bord de la mer; and in the work produced during and after a visit to India in 1911. A large panel, Peace by Arbitration, was completed seven days before the outbreak of war in 1914.  Related Paintings of Paul-Albert Besnard :. | In the gardens of Castel Gandolfo | Apollo and the Muses | The Valuers | farmhouse | Montmartre |
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Antonio Pisanello
1395-1451 Italian Antonio Pisanello Galleries professionally as Antonio di Puccio Pisano or Antonio di Puccio da Cereto, also erroneously called Vittore Pisano by Giorgio Vasari, was one of the most distinguished painters of the early Italian Renaissance and Quattrocento. He was acclaimed by poets such as Guarino da Verona and praised by humanists of his time who compared him to such illustrious names as Cimabue, Phidias and Praxiteles. He is known for his resplendent frescoes in large murals, elegant portraits, small easel pictures, and many brilliant drawings. He is the most important commemorative portrait medallist in the first half of the 15th century. He was employed by the Doge of Venice, the Pope in the Vatican and the courts of Verona, Ferrara, Mantua, Milan, Rimini, and by the King of Naples. He stood in high esteem of the Gonzaga and Este families. He had many of his works wrongly ascribed to other artists such as Piero della Francesca, Albrecht Durer and Leonardo da Vinci, to name a few. While most of his paintings have perished, a good many of his drawings and medals have survived.
Juliusz Kossak
(Nowy Wiśnicz, 15 December 1824 - 3 February 1899, Krakew) was a Polish historical painter and master illustrator who specialized in battle scenes, military portraits and horses. He was the progenitor of an artistic family that spanned four generations. father of painter Wojciech Kossak and grandfather of painter Jerzy Kossak. Juliusz Kossak grew up in Lwew during the military partitions of Poland. He obtained a degree in law at the Lwew University encouraged by his mother. At the same time he studied painting with Jan Maszkowski and Piotr Michałowski. Beginning in 1844 Kossak worked on commissions for the local aristocracy in Malopolska, Podolia and Wolyn. He married Zofia Gałczyka in 1855 and together they left for Paris where they spent five years. His sons were born there, the twin brothers: Wojciech and Tadeusz (on New Year's Eve 1856-1857) and the younger Stefan in 1858. The family came to Warsaw in 1860 where Kossak obtained a position as the head illustrator and engraver for Tygodnik Illustrowany magazine. They moved to Munich for a year and in 1868 settled in Krakew blessed with five children already. Kossak bought a small estate there, known as Kossakewka, famed for artistic and literary salon frequented by Adam Asnyk, Henryk Sienkiewicz, Stanisław Witkiewicz, Jezef Chełmoki and many others. Juliusz Kossak lived and worked there till the end of his life. In 1880 he was awarded the Cross of Order of Merit by Emperor Franz Joseph of Austria-Hungary for his lifetime achievements as an artist.
Vicente Palmaroli Gonzalez
1834-1896 Spanish Vicente Palmaroli Gonzalez Gallery His father was the Italian lithographer, Gaetano Palmaroli and he studied in San Fernando's Royal Academy. He later went to Rome in 1857 to complete his training, and he lived there until 1866. One year later, he went to the Paris World's Fair of 1867. He met Ernest Meissonier, who influenced his later works. He was academician in San Fernando's Royal Academy, and director in the Spanish Academy in Rome and Prado Museum (1893-1896).